Câu hỏi: number/ factor/ relate/ voice/ reveal/ personality/ speaker. 

A. The number of factors relating to the voice revealed the personality of who is a speaker.

B. A number of factors that related to the voice revealing the personality of the speaker. 

C. A number of factors related to the voice reveal the personality of the speaker.

D. The number of factors relate to the voice revealed the personality of the speaker. 

Câu 1: Tom/ promise/ keep/ contact/ us/ he/ France. 

A. Tom promised to keep contact with us while he was in France. 

B. Tom promised keeping contact us while he was in France. 

C. Tom promised keeping contact with us while he was in France

D. Tom promised to keep contact us while we in France.

Câu 2: They/ leave/ early/ not catch/ traffic

A. They left early so that not to catch in the traffic. 

B. They left early to avoid being caught in the traffic. 

C. They left early so as to not get caught in the traffic.

D. They left early in order to not get caught in the traffic.

Câu 3: you/ entitle/ drive/ car/ your driving license.

A. You are not entitled to driving a car with your driving license.

B. You do not entitle to drive a car without your driving license.

C. You are not entitled to drive a car without your driving license.

D. You are not entitled driving a car with your driving license.

Câu 4: not until/ he / grow / understand / the matter

A. Not until he grew up that can he understand the matter.

B. Not until he grew up that he can understand the matter

C. Not until he grew up did he understand the matter

D. It is not until he grew up that can't he understand the matter. 

Câu 5: Impressionism in painting developed in the late nineteenth century in France. It began with a loosely structured group of painters who got together mainly to exhibit their paintings. Their art was characterized by the attempt to depict light and movement by using pure broken colour. The movement began with four friends who met in a cafe: Monel, Renoir, Sisley and Brazill. They were reacting against the academic standards of their time and the romantic emphasis on emotion as a subject matter. They rejected the role of imagination in art. Instead, they observed nature closely, painting with a scientific interest in visual phenomena. Their subject matter was as diverse as their personalities. Monet and Sisley painted landscapes with changing effects of light, and Renoir painted idealized women and childen. The works of impresionists were received with hostility until the 1920s. By the 1930s impressionism had a large cult following, and by the 1950s even the least important works by people associated with the movement commanded enormous prices

A. use light colours

B. fight the government

C. become scientists

D. show their paintings

Câu 6: never/ life/ I/ see/ mess/ this. 

A. Never in my whole life had I seen such a mess like this. 

B. Never in my whole life have I seen such a mess like this. 

C. Never in my whole life did I see such like mess.

D. I never saw such mess in my whole life