Câu hỏi: Two miles/ long/ distance/ old man/ jog/ everyday. 

A. Two miles are a long distance such old man to jog everyday.

B. Two miles are a long distance for such old man to jog everyday. 

C. Two miles is a long distance for so an old man to jog everyday.

D. Two miles is a long distance for such an old man to jog everyday. 

Câu 1: The first impressionists…… 

A. supported the academic standards 

B. began a new academy

C. did not like the academic standards

D. developed new official standards

Câu 2: you/ entitle/ drive/ car/ your driving license.

A. You are not entitled to driving a car with your driving license.

B. You do not entitle to drive a car without your driving license.

C. You are not entitled to drive a car without your driving license.

D. You are not entitled driving a car with your driving license.

Câu 3: What subject matter did Monet and Sisley usually paint? 

A. Country scenes 

B. Portraits 

C. Skyscrapers

D. animals in nature

Câu 4: never/ life/ I/ see/ mess/ this. 

A. Never in my whole life had I seen such a mess like this. 

B. Never in my whole life have I seen such a mess like this. 

C. Never in my whole life did I see such like mess.

D. I never saw such mess in my whole life

Câu 5: it/ be/ careless/ you/ not/ to/ close/ windows/ last night.

A. It was careless to you to not close all the windows last night. 

B. It was careless to you not to close all the windows last night.

C. It was careless you not close all the windows last night.

D. It was careless of you not to close all the windows last night.

Câu 6: Impressionism in painting developed in the late nineteenth century in France. It began with a loosely structured group of painters who got together mainly to exhibit their paintings. Their art was characterized by the attempt to depict light and movement by using pure broken colour. The movement began with four friends who met in a cafe: Monel, Renoir, Sisley and Brazill. They were reacting against the academic standards of their time and the romantic emphasis on emotion as a subject matter. They rejected the role of imagination in art. Instead, they observed nature closely, painting with a scientific interest in visual phenomena. Their subject matter was as diverse as their personalities. Monet and Sisley painted landscapes with changing effects of light, and Renoir painted idealized women and childen. The works of impresionists were received with hostility until the 1920s. By the 1930s impressionism had a large cult following, and by the 1950s even the least important works by people associated with the movement commanded enormous prices

A. use light colours

B. fight the government

C. become scientists

D. show their paintings